This is the granular version of the year above: the stages an adviser actually teaches through, in order, each tied to a real object the class produces on the platform — a roster, a plan, a draft, a spread, an export. Open any stage to see what it produces.
Stage 1 · First week
The adviser imports the class roster and assigns each student a scoped role — editor-in-chief, section editor, photo editor, copy editor. This is the syllabus made concrete: a student can see exactly which section is theirs from day one.
Produces: Role roster — every student assigned a scoped account
Stage 2 · Coverage planning
The class builds the coverage plan from the roster and the school’s activity list: every team, club, and grade that must appear in the book. Coverage tracking turns that plan into a live gap list the class works against all year.
Produces: Coverage plan — the gap list the class closes stage by stage
Stage 3 · Interviewing
Section editors and copy editors interview the students, coaches, and teachers on their beat — the reporting a caption or a feature blurb is built on. It is the same fact-gathering discipline as a newsroom beat, scaled to a school section.
Produces: Interview notes — the quote and fact source for a section’s captions
Stage 4 · Caption writing
Copy editors turn interview notes and event coverage into captions and short copy, written and cut to fit the spread. A caption that buries the lede is exactly what the adviser flags in the review cycle later.
Produces: Caption drafts — text objects attached to a spread’s photos
Stage 5 · Design
The class agrees on a style foundation — grid, type, palette — and section editors lay out their spreads against it in the production editor. Version history means a bold layout can be tried without risking the work underneath it.
Produces: Spread layouts — grid, type, and palette applied to a section’s pages
Stage 6 · Photography
Photo editors shoot events and games and build the shared photo library the whole class works from, matched to students by their name on the roster rather than by a face scan.
Produces: Photo library — roster-matched images available to every section editor
Stage 7 · Editing
Photos are culled and adjusted, copy is tightened, and a spread moves from a rough draft to something the adviser can review. This is the stage where a section editor’s judgment shows — which shot leads, which quote earns the space.
Produces: Edited spread — the draft ready to enter the adviser review queue
Stage 8 · Ad sales
Students who take on the ad-sales beat sell ad and tribute pages to local businesses and families, the funding model that keeps the book free of a per-student fee. It is a real sales and account-management job with its own deadline, run alongside editorial coverage.
Produces: Sold ad & tribute pages — the revenue line that funds the printed book
Stage 9 · Proofing
The adviser runs the proof-approval queue: spread-level comments on the specific problem, returned to the student, corrected, resubmitted. An approved spread locks; the approval history is the class’s editorial record. The gate is fail-closed — nothing skips it.
Produces: Approved, version-locked spread — the adviser’s sign-off on record
Stage 10 · Final submission
When coverage is complete and every spread across every section is approved, the book exports to a press-ready file the school submits to whichever print lab it uses. The year’s work becomes a real, attributed publication.
Produces: Press-ready export — the finished book, submitted to print